ISBN 0 720612594
Fiction
208pp
Paperback
£10.95
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The Reverse Side of Life

Lee Seung-U

Translated from the Korean by Yoo-Jung Kong

Bak Bugil's father is a genius. Everyone expects him to pass the civil service examination and become a judge – except that he hasn't been seen since he left to study in Seoul. Bak lives with his mother and his father's relatives. At the end of a path at the back of the house is a persimmon tree and a ramshackle hut. Children are forbidden to go near the tree, but Bak makes repeated incursions to collect its fruit until a chance encounter with the hut's inhabitant changes his life for ever . . .

Years later a journalist is asked write about Bak, now one of South Korea's most original writers, and decides to reconstruct the author's childhood through an examination of his stories, novels and interviews. Yet when he meets Bak it becomes clear that the author finds such recollections traumatic. At the stratum of his earliest memories, firmly lodged like a fossil, is a face lonely and dark. The journalist knows that if he is to penetrate Bak's psyche he must first confront that face.

In this partially autobiographical novel Lee Seung-U explores his roots. A theology graduate, he mixes together the notion of original sin rooted in the subconscious and its accompanying sense of insecurity, as well as the idea of a distant God who only occasionally extends a helping hand, to reveal how the conflict of the secular and the divine manifests itself in the real world. This extraordinary novel - first translated into German, the first modern Korean novel to be translated into French and one of only a handful available in English – cemented its author's reputation as one of the stars of South Korea's literary scene.

'...a challenging novel presented as a critical biography. But The Reverse Side of Life has another layer...at times he seems to be considering his own life at two removes.' - Metro

'Few contemporary Korean writers match him in his treatment of solemn subjects such as personal instability, longing and isolation. He is also unequaled in conveying the idea of original sin that lies beneath all human actions and of a God who stands by like an adult observing a child at play, perhaps lending a hand from time to time.' - Korea Times

'In the manner of Borges, the narrator studies an imaginary writer, Bugil, who feels the ground giving way beneath him. He burns the grave of his father as well as his schoolbooks and refuses to integrate into the social world. He immerses himself in reading and writing and thus begins to discover himself. Later he will ask himself if the reality of his novels is faithful to the reality actually lived. Lee Seung-U warns that there is no solution other than to accommodate our existence with all its diversity, its disappointments, its inconsequentialities, its humiliations.' – Le Figaro

‘One of the best contemporary Korean authors. Lee Seung-U follows in his very dark fashion in the history of vocational writing where you will find A La Recherche Du Temps Perdu or Tonio Kroger by Thomas Mann. A true sense of tragedy.’ – Valeurs Actuelles

LEE SEUNG-U (b.1959) is a graduate of Seoul Theological University and Yonsei University Graduate School of Theology. He marked his writing début in 1981 by winning the Han’guk Munhak New Writer Prize for Portrait of Erysichton. His works include the story collections Gu Pyeong-mok’s Cockroach, About an Eclipse, Speculations on a Labyrinth, Magnolia Park, People Don’t Even Know What Is In Their House, I Will Live Long, Missing Persons Ad and the novels Portrait of Erysichton, Shade of a Thornbush, The Reverse Side of Life, Who Else Is Inside Me?, Legend of Love, In the Beginning Was Temptation and The Private Life of Plants. He was awarded the Daesan Literature Prize for The Reverse Side of Life and the East West Literature Prize for I Will Live Long. One of a new generation of outstanding writers to have emerged in South Korea since the political repression of the 1980s, he is today Professor of Korean Literature at Chosun University.