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‘If only one knew of what and by whom one were accused,
when, where and by what laws one were to be judged, it would
be possible to prepare one’s defence systematically and
set about things in a sensible fashion.’
First published sixty years ago, Asylum Piece
today ranks as one of the most extraordinary and terrifying
evocations of human madness ever written.
This collection of stories, mostly interlinked and largely
autobiographical, chart the descent of the narrator from the
onset of neurosis to final incarceration at a Swiss clinic.
The sense of paranoia, of persecution by a foe or force that
is never given a name evokes The Trial by Franz Kafka,
the writer with whom Kavan is most often compared, though
Kavan’s deeply personal, restrained and almost foreign-accented
style has no true model. The same characters who recur throughout
— the protagonist’s unhelpful ‘advisor’,
the friend/lover who abandons her at the clinic, and an assortment
of deluded companions — are sketched without a trace
of the rage, self-pity or sentiment that have marked more
recent prozac memoirs.
‘Pervaded by a sense of intolerable oppression, lit
by sudden shafts of delight in the natural world, their concise
artistry proclaims how consumately she knew and rode her devils.’
— Guardian
‘Anna Kavan charges the space between her words and the
reader’s mind with a continuous crackle of electricity.’
— New Statesman
‘A writer of unusual imaginative power’ — Edwin
Muir
‘An artist of great distinction’ — L.P. Hartley
‘A classic equal to the work of Kafka’ — Anaïs
Nin
ANNA KAVAN, née Helen Woods, was born in Cannes
— probably in 1901; she was evasive about the facts of
her life — and spent her childhood in Europe, the USA
and England. Twice married and divorced, she began writing
while living with her first husband in Burma and was published
under her married name of Helen Ferguson. In the wake of the
collapse of her second marriage, she suffered the first of
many nervous breakdowns and was confined to a clinic in Switzerland;
she emerged from her incarceration with a new name —
Anna Kavan, the protagonist of her 1930 novel Let
Me Alone — an outwardly different persona
and a new literary style. Her first novel in this guise was
Asylum Piece, and it achieved for her a certain recognition.
She was a long-term heoin addict and suffered periodic bouts
of mental illness, and these facets of her life feature prominently
in her novels and short stories. She died in 1968 of heart
failure soon after the publication of her most celebrated
work, the novel Ice. |
