ISBN 7206 1254
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Paul Bowles: A LifeVirginia Spencer CarrVirginia Spencer Carr travelled to Morocco in 1989 to interview
the American writer Paul Bowles for a biography of Tennessee
Williams. When she asked Bowles, one of the most
private of artists, to sign a copy of a recently published
biography of him (Invisible Specator), the author exclaimed,
Does this book have anything to do with me? Later Gore Vidal suggested that Spencer Carr postpone her
work in order to write a life of Paul Bowles instead. ‘It was Bowles's 1949 novel The Sheltering Sky,
a story of drifting souls and lost identities, that attracted
a new generation of American rebels to the shores of North
Africa . . . What is engaging about Virginia Spencer Carr’s
biography however is how she portrays the procession of
his lovers - Aaron Copland, Tennessee Williams, Virgil
Thompson, Truman Capote, Gore Vidal - and captures
the ebb and flow of relationships. She is good on his ‘Good to have a memento, something that reminds us of this enigmatic, dignified figure.’ - Evening Standard 'Fleshing out (as it were) Bowles's private life is a useful contribution, and Carr's book has other good things in it. Her research was prodigious, her reading of Bowles's personality seems acute and she quotes him to good effect.' - The Washington Post 'With its courtly air of decadence and a cast that includes W.H. Auden, William Burroughs and Truman Capote, Spencer Carr's biography reads like a memento of a vanished era of literary bohemianism' - Financial Times '...a writer of honed, even harsh, originality...The proto-hippy who thought, "if it's the Third World it must be wonderful" matures into someone who learns a lot about North African culture and can see what is awful as well as what is beautiful there...' - Daily Telgraph 'His willpower was as formidable as his talents ...This carefully constructed persona- charming, graceful, stoical, impassive- concealed some red-hot magma beneath its tranquil crust.' - The Spectator 'Paul Bowles collaborated with Virginia Spencer Carr on this biography in the final years of his life...she has succeeded in producing a thoroughly readable and consistently interesting account of his twin careers as composer and writer. The chapters devoted to his unusual childhood and youth are especially rich. His father, Claude, was a dentist who displayed an additional talent for paternal sadism, while his mother, Rena, was fond of the occasional, cruel practical joke. It’s a miracle he became reconciled to them in middle age. Carr covers his marriage to Jane Auer and his friendships with Aaron Copland, Gertrude Stein and Cocteau, among other luminaries.' - Sunday Times Praise for the authors previous work:
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